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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Annunciation</text>
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                <text>This object is made of polychromed and gilt alabaster from the British culture. It depicts a scene of the annunciation. </text>
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                <text>1970.44</text>
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                <text>Harvard Art Museum</text>
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                <text>c. 1420-1470</text>
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                <text>Dimensions: 41 x 26.5 x 6 cm&#13;
Materials: Polychromed and Gilt alabaster</text>
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                <text>England</text>
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                <text>1951.31.4.2299</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Anonymous Side Saddle</text>
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                <text>This is a double-cinch side saddle with a backrest and likely ahistorical stirrups. It has the initials or word "Thy" on the pommel and 1875 on the back of the backrest in bronze (?). This item was collected and accessioned in 1922 by C.C. Willoughby as part of a ethnographic project on behalf of the Peabody Museum. It is listed as a gift of John W. Hastings, 1905. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Kate</text>
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                <text>Unlisted (1875)</text>
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                <text>Dimensions: 22 13/16 x 17 11/16 x 13 in.&#13;
&#13;
Materials: Leather, bronze, jute, burlap, pinestraw</text>
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                <text>Peabody Museum</text>
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                <text>saddle</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>05-3-40/65882</text>
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                  <text>Ritual, Food, and Production in the Middle Ages</text>
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                  <text>Containers</text>
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                  <text>Containers both today and in the ancient world performed a number of functions. They stored food and drinks. They allowed for transportation of resources across long and short distances.  They also formed an integral part of rituals.</text>
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                  <text>Claire</text>
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                <text>Bowl with St. George and the Dragon</text>
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                <text>Brass bowl depicting Saint George and the Dragon. Gift of Mrs. George S. Selfridge to Busch-Reisinger Museum, 1965&#13;
&#13;
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                <text>Camden</text>
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                <text>15th Century&#13;
</text>
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                <text>Materials: Brass&#13;
Dimensions: 26.67 cm (10 1/2 in.)</text>
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                <text>German</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>BR 65.56</text>
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            <description>A name given to the resource</description>
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                <text>Circular Attachment with Stylized Dragon</text>
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                <text>"This circular attachment joins a disc with gold-wire dragon decoration to a rectangular tang. A very regular circular hole pierces the middle of the disc. There is an irregular elliptical hole at the top of the disc and a more regular elliptical hole at the bottom of the tang. The disc is surrounded by a raised border, as is the tang. The tang has further geometric decoration. The disc bears a stylized animal, a dragon facing right. The front paw rests on the curve of the disc, the back just above the tang. The wings curl slightly in the field at the left. Further lines decorate the body of the dragon. The back is flat and featureless." Original purpose: under investigation!</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Sarah</text>
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                <text>6th-7th Century</text>
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                <text>Dimensions: 1.5 x 1.06 x .06 inches (3.8 x 2.7 x 0.2 cm)&#13;
Materials: Copper, flecks of gold gilding, traces of mercury from the gilding process, brown wax residue.</text>
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                <text>Anglo-Saxon Britain</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2003.20</text>
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                <text>Coin Scale</text>
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                <text>The object is made up of two copper alloy pieces joined by an iron rivet at the center. Both of the pieces were cast by the lost-wax process. &#13;
&#13;
The decorative pattern of a circle with a dot at the center was created in the metal with a single punch. Uneven pressure on the punch resulted in some of the marks being deeper than others, while some marks have the appearance of crescents and dots where one side of the punch did not penetrate the metal.&#13;
&#13;
The terminals bear scrape (and possibly hammer) marks. Some of these marks appear to have been caused by post-excavation cleaning, which exposed the now-oxidized metal. There are coarse scrape marks on the inside of one piece, which contribute to the otherwise uneven surface. Coarse, worn file marks on the sides of the smaller piece seem to have been made in the wax. &#13;
&#13;
A dark blackish-green patina forms a layer over the metal, which is worn to a dark brown. Some of this seems to be a waxy build-up. This was ascertained during removal of a bit of the accretions from one of the recessed decorative areas with a bamboo tip to gauge the depth and shape of the punch mark. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Francesca</text>
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                <text>Harvard Art Museum</text>
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                <text>5th-6th Century</text>
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                <text>Dimensions: 7.2 x 1.4 x 0.7 cm (2 13/16 x 9/16 x 1/4 in.)&#13;
Materials: Mixed copper alloy or leaded bronze</text>
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                <text>Ancient &amp; Byzantine World</text>
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                <text>1951.31.4.2299</text>
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                <text>Cooking-pot of Early Medieval Chalky Ware</text>
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                <text>Early Medieval Chalky ware pot from Smithfield, London (England). Wheel thrown with grey-buff fabric. &#13;
&#13;
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Claire</text>
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                <text>British Museum</text>
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                <text>1050-1150 A.D.</text>
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                <text>Materials: pottery&#13;
Height: 14cm</text>
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                <text>England</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Design for Illuminated Initial (Knight); verso: Gothic Pinnacle with Crockets</text>
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                <text>This is an initial depicting a knight framed by a gothic pinnacle with crockets.The piece further utilizes black and red watercolors to center its subject on parchment.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Hunter</text>
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                <text>Harvard Art Museum</text>
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                <text>14th Century</text>
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                <text>Dimensions: 13.5 x 5.8 cm (5 5/16 x 2 5/16 in.)&#13;
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                <text>This is the right hand side of a handwritten bifolio of the Qur'an, produced toward the end of the Abbasid Period, when books proliferated throughout the Islamic world and the Qur'an became a written text rather than an oral tradition. The artifact was acquired by Harvard as a gift from Dr. Denman W. Ross.</text>
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                <text>This blue cut and voided velvet is compound weaved in the "feronnerie" velvet style with a pomegranate motif within lobed ogival arches.</text>
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                <text>HAM 1919.239</text>
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                <text>Inventory of Johannes Bonerii</text>
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                <text>This act records the inventory of the estate of the cauldron-maker Johannes Bonerii, which was compiled at the request of Poncius Chabassii, guardian for his children. Johannes's widow, Goveta, had formerly been their children's guardian, but she now intends to remarry. The preamble to the act indicates that Goveta also submitted an accounting of her administration. The estate includes an interesting list of the equipment pertaining to the forge. The register from which this act was taken is currently in the possession of Daniel Lord Smail, a gift from Giles Constable.</text>
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                <text>Crest, France</text>
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