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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>King John of France</text>
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                <text>A circular sculpture with inscription around perimeter: FRANCO CUM REX JOHANNES DEI GRA CIA</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Andrew L.</text>
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                <text>Harvard Art Museum</text>
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            <name>Date</name>
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                <text>14th Century</text>
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                <text>Dimensions: 10.2 x 0.6 cm (4 x 1/4 in.)&#13;
Materials: Bronze with worn gold patina</text>
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                <text>Italy, Veneto, Padua</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1934.105</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Le Livre de la Chasse</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;br /&gt;Gaston III Phoebus, Gaston III Phoebus. 1387. Gaston Phebus: Le Livre de La Chasse [from Avignon].</text>
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                  <text>Ritual, Food, and Production in the Middle Ages</text>
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              <description>The topic of the resource</description>
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                  <text>Containers</text>
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                  <text>Containers both today and in the ancient world performed a number of functions. They stored food and drinks. They allowed for transportation of resources across long and short distances.  They also formed an integral part of rituals.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Claire</text>
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            <description>A name given to the resource</description>
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                <text>Luster bowl sherd with peacock</text>
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                <text>The "Luster bowl sherd with peacock" is an 11th-century ceramic lusterware originating from the Fatimid period (Egypt). The lusterware, which features a golden peacock on a lustre glazed ceramic, was created by an unknown artist using ceramic techniques and is considered to be a part of a bigger lusterware bowl. The vessel was exhibited at Harvard from December 2, 2006 to March 23, 2008 during the "Overlapping Realms: Arts of the Islamic World and India, 900-1900" exhibit at the Harvard University Art Museums, Arthur M. Sackler Museum. The artifact at Harvard is a piece of a luster bowl that was acquired by Harvard in 1923 as a gift from Dr. Denman W. Ross.&#13;
&#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Sophia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Harvard Art Museums/Arthur M. Sackler Museum</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Materials: Ceramic lusterware (classification: vessels)&#13;
Dimensions: 11 x 8.2 cm (4 5/16 x 3 1/4 in.)&#13;
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1923.136</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Middle East (Egyptian); Fatimid Period</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mirror Case - Noble Couple on a Hunting Party </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This ivory mirror case depicts a noble couple riding on horseback in a hunting party. Two servants accompany them on horseback, and a child walks in front, leading the noble lady's horse. Four beasts, likely of mythological origin, frame the edges of the mirror case. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Esther</text>
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            <name>Date</name>
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                <text>14th century (c.1300-1350)</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Dimensions: 5in x 5in x 5/8in &#13;
Materials: Ivory&#13;
</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Harvard Art Museum/Fogg Museum</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>School of Paris, France, Europe</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1952.95</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Oval Lock with Dotted Punched Decoration</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Small lock with vase at center of front plate. The front plate and vase are cast in one piece and the back and sides are cast in one piece. The front plate is attached to the back and sides via two tabs that are bent over onto the top plate over the decoration and hammered down to secure the front. There is at least one lock mechanism visible through the front. The lock mechanism appears to be copper alloy. The decoration consists of punched circles with an inner hole. The inner holes are displaced from the center in some indicating use to two simple punches rather than a single complex punch. Some of the outer circles are incomplete due to being struck at the wrong angle. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Chris</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 1400</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="166">
                <text>Harvard Art Museums/Arthur M. Sackler Museum</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Byzantine</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="194">
                <text>1968.101</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Rectangular ivory diptych sundial</text>
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            <description>An account of the resource</description>
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                <text>"This is an unusual ivory diptych sundial in both elongated shape and design. It has a single pin gnomon dial showing Italian hours and two magnetic compasses. &#13;
&#13;
Ia Medici coat-of-arms surmounted by a crown and supported by acanthus leaves. The rest of the space is filled with drapery, a running leaf border, and silver clasps engraved with leaves and scrollwork.&#13;
&#13;
Ib Decorated with a grotesque consisting of a man's face with leafy hair, beard, and mustache. Bordered by a running leaf pattern and twisted rope design.&#13;
&#13;
IIa Two magnetic compasses with paper inserts marked by hand in brown ink. The top compass gives the Italian names of 32 wind directions. The lower compass gives the French names of 32 points. The compass needles and retaining rings for the glass are present but the glass is missing. Between the compasses is a horizontal pin gnomon sundial for Italian hours, 12-23. &#13;
&#13;
IIb Decorated with a simple geometric pattern."</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Jenny</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1556-1568</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Dimensions: closed: 1.7 x 4.3 x 11.8 cm&#13;
Materials: lvory, paper, silver</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Harvard Collection of Historical Scientific Instruments</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Firenze, Italia</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="198">
                <text>Inventory Number: 7492</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Ritual, Food, and Production in the Middle Ages</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Containers</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Containers both today and in the ancient world performed a number of functions. They stored food and drinks. They allowed for transportation of resources across long and short distances.  They also formed an integral part of rituals.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Claire</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Small dish with lanceolate leaves</text>
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            <description>An account of the resource</description>
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                <text>The reddish earthenware of this dish is covered on the interior and partially on the exterior with a white slip. The interior holds a loosely incised design of two circles, each with double outlines, and a trio of radiating lanceolate leaves. Freely incised spirals fill the spaces between the leaves. The overall covering glaze is clear with a slightly greenish tinge and it carries stripes of 'color-splashed' green and brownish purple. The dish is shallow, with sides divided into straight, flaring segments. The low foot ring is slightly concave.&#13;
&#13;
</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Athalia</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>11th-12th Century</text>
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                <text>Émilie Blondin</text>
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                <text>55-48-40/6705</text>
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                <text>Table of Concordance, folio from a Gospel</text>
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