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                  <text>Ritual, Food, and Production in the Middle Ages</text>
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                  <text>Containers both today and in the ancient world performed a number of functions. They stored food and drinks. They allowed for transportation of resources across long and short distances.  They also formed an integral part of rituals.</text>
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                  <text>Claire</text>
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                <text>Luster bowl sherd with peacock</text>
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                <text>The "Luster bowl sherd with peacock" is an 11th-century ceramic lusterware originating from the Fatimid period (Egypt). The lusterware, which features a golden peacock on a lustre glazed ceramic, was created by an unknown artist using ceramic techniques and is considered to be a part of a bigger lusterware bowl. The vessel was exhibited at Harvard from December 2, 2006 to March 23, 2008 during the "Overlapping Realms: Arts of the Islamic World and India, 900-1900" exhibit at the Harvard University Art Museums, Arthur M. Sackler Museum. The artifact at Harvard is a piece of a luster bowl that was acquired by Harvard in 1923 as a gift from Dr. Denman W. Ross.&#13;
&#13;
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                <text>Sophia</text>
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                <text>Harvard Art Museums/Arthur M. Sackler Museum</text>
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                <text>Materials: Ceramic lusterware (classification: vessels)&#13;
Dimensions: 11 x 8.2 cm (4 5/16 x 3 1/4 in.)&#13;
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                <text>1923.136</text>
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                <text>Middle East (Egyptian); Fatimid Period</text>
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                  <text>Ritual, Food, and Production in the Middle Ages</text>
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                  <text>Containers both today and in the ancient world performed a number of functions. They stored food and drinks. They allowed for transportation of resources across long and short distances.  They also formed an integral part of rituals.</text>
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            <description>A name given to the resource</description>
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                <text>Small dish with lanceolate leaves</text>
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                <text>The reddish earthenware of this dish is covered on the interior and partially on the exterior with a white slip. The interior holds a loosely incised design of two circles, each with double outlines, and a trio of radiating lanceolate leaves. Freely incised spirals fill the spaces between the leaves. The overall covering glaze is clear with a slightly greenish tinge and it carries stripes of 'color-splashed' green and brownish purple. The dish is shallow, with sides divided into straight, flaring segments. The low foot ring is slightly concave.&#13;
&#13;
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                <text>Athalia</text>
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                <text>11th-12th Century</text>
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                <text>Materials: Reddish earthenware covered with slip, incised, and color-splashed under clear glaze&#13;
Dimensions: 4.7 x 16 cm (1 7/8 x 6 5/16 in.)&#13;
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                <text>Middle East; Syria</text>
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                  <text>Containers both today and in the ancient world performed a number of functions. They stored food and drinks. They allowed for transportation of resources across long and short distances.  They also formed an integral part of rituals.</text>
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                <text>Bowl with St. George and the Dragon</text>
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                <text>Brass bowl depicting Saint George and the Dragon. Gift of Mrs. George S. Selfridge to Busch-Reisinger Museum, 1965&#13;
&#13;
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Camden</text>
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                <text>15th Century&#13;
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                <text>Materials: Brass&#13;
Dimensions: 26.67 cm (10 1/2 in.)</text>
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                <text>German</text>
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                <text>BR 65.56</text>
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                <text>Cooking-pot of Early Medieval Chalky Ware</text>
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                <text>Early Medieval Chalky ware pot from Smithfield, London (England). Wheel thrown with grey-buff fabric. &#13;
&#13;
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Claire</text>
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                <text>British Museum</text>
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                <text>1050-1150 A.D.</text>
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                <text>Materials: pottery&#13;
Height: 14cm</text>
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                <text>Anonymous Side Saddle</text>
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                <text>This is a double-cinch side saddle with a backrest and likely ahistorical stirrups. It has the initials or word "Thy" on the pommel and 1875 on the back of the backrest in bronze (?). This item was collected and accessioned in 1922 by C.C. Willoughby as part of a ethnographic project on behalf of the Peabody Museum. It is listed as a gift of John W. Hastings, 1905. </text>
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                <text>Kate</text>
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                <text>Unlisted (1875)</text>
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                <text>Dimensions: 22 13/16 x 17 11/16 x 13 in.&#13;
&#13;
Materials: Leather, bronze, jute, burlap, pinestraw</text>
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            <name>Identifier</name>
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                <text>05-3-40/65882</text>
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                <text>Folio from a Qur'an</text>
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                <text>This is the right hand side of a handwritten bifolio of the Qur'an, produced toward the end of the Abbasid Period, when books proliferated throughout the Islamic world and the Qur'an became a written text rather than an oral tradition. The artifact was acquired by Harvard as a gift from Dr. Denman W. Ross.</text>
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                <text>11th-12th Century</text>
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                <text>Dimensions: Harvard Art Museums&#13;
Materials: Ink and gold on paper</text>
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                <text>Michael </text>
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                <text>HAM 1924.96</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Unknown, Unknown, Islamic world, Abbasid Period</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Stiletto</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Dagger, tapered square blade, iron cross guard, spiral wood grip, stone inlay</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Émilie Blondin</text>
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                <text>Unknown, pre-1921</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Dimensions: 34.2 x 5.4 x 2.4 cm (13 7/16 x 2 1/8 x 15/16 in.)&#13;
Materials: Iron, wood, stone</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Peabody</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>55-48-40/6705</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Venice, Italy, Europe</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fragment of blue velvet</text>
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            <description>An account of the resource</description>
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                <text>This blue cut and voided velvet is compound weaved in the "feronnerie" velvet style with a pomegranate motif within lobed ogival arches.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Julian</text>
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            <name>Date</name>
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                <text>3rd quarter of 15th century</text>
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            <name>Format</name>
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                <text>Dimensions: 95.6 x 54.6 cm (37 5/8 x 21 1/2 in.)&#13;
Materials: Cut and voided velvet</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Harvard Art Museum</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>HAM 1919.239</text>
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                <text>Italy</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Oval Lock with Dotted Punched Decoration</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Small lock with vase at center of front plate. The front plate and vase are cast in one piece and the back and sides are cast in one piece. The front plate is attached to the back and sides via two tabs that are bent over onto the top plate over the decoration and hammered down to secure the front. There is at least one lock mechanism visible through the front. The lock mechanism appears to be copper alloy. The decoration consists of punched circles with an inner hole. The inner holes are displaced from the center in some indicating use to two simple punches rather than a single complex punch. Some of the outer circles are incomplete due to being struck at the wrong angle. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Chris</text>
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            <name>Date</name>
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                <text>c. 1400</text>
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                <text>Harvard Art Museums/Arthur M. Sackler Museum</text>
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                <text>Byzantine</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1968.101</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Circular Attachment with Stylized Dragon</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>"This circular attachment joins a disc with gold-wire dragon decoration to a rectangular tang. A very regular circular hole pierces the middle of the disc. There is an irregular elliptical hole at the top of the disc and a more regular elliptical hole at the bottom of the tang. The disc is surrounded by a raised border, as is the tang. The tang has further geometric decoration. The disc bears a stylized animal, a dragon facing right. The front paw rests on the curve of the disc, the back just above the tang. The wings curl slightly in the field at the left. Further lines decorate the body of the dragon. The back is flat and featureless." Original purpose: under investigation!</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Sarah</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>6th-7th Century</text>
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            <name>Format</name>
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                <text>Dimensions: 1.5 x 1.06 x .06 inches (3.8 x 2.7 x 0.2 cm)&#13;
Materials: Copper, flecks of gold gilding, traces of mercury from the gilding process, brown wax residue.</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Anglo-Saxon Britain</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2003.20</text>
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